descripção
I see the title as a commentary on my earlier piano pieces. No specific ladder or mode should be assigned to No. I of the Three Epilogues for piano. I just wanted to write a LYRICAL piano piece that did not have a pronounced minor or major character. Basic material is perhaps a mix of the Bartok scale - with or without raised fifth - with melodic minor with raised fourth and fifth, and more. In short free atonality. When playing, think as if you were a string quartet ...