descripção
No. 3 of the Three Epilogues is reminiscent of a Rondo, in which the first theme, via an Andantino, works as a connecting chorus to the triplet motifs of the Allegretto. Although the piece ends in F # major, I cannot assign a specific ladder or mode for the piece as a whole, just like in No 1. It may be played freely (rubato) in all respects, including the tempi.